Carl Andre and Melissa Kretschmer, Dialogues, 1000eventi and Libri Schweiwiller, Milan, 2005, ISBN: 88-7644-454-8
Carl Andre and Melissa Kretschmer, A Conversation, exh. cat., Galerie Frank, Paris, 1999
Uschi Baetz, exhibition review, Kölnische Rundschau, October 21, 2003, no. 244
Celia Berghoffen, Exploring “Qualities of Change” in Materials, The Villager, November 16, 1994, vol. 65, no. 25
Kristie Betts, Transparent Motives, Boulder Weekly, May 3, 2001
Jeff Bradley, exhibition review, The Denver Post, May 26, 1999
Claude Briand-Picard, Ready-Made Color: la couleur importée, Positions & MCA, October 2002, ISBN: 2-9509864-2-0
James D. Campbell, Images/After Images: More Than Meets the Eye, exhibition catalogue, Work Space Gallery, 1996
Fernando Castro, EEUU-BÉLGICA: el Fascinante Poder de la Pintura, Capital Arte, September 2016
Mary Voelz Chandler, Sculptor’s Sights Planted Firmly on the Ground, Denver Rocky Mountain News, May 30, 1999
Mary Voelz Chandler, Art is a Very Material Thing, Denver Rocky Mountain News, August 11, 2000
Mary Voelz Chandler, Pedestal Art, Denver Rocky Mountain News, May 2001
Catherine Corman, New Wave Women: Frieze, The Huffington Post, October 6, 2016
Muriel de Crayencour, Vibratory Paintings at the Vanderborght, Mu-inthecity.com, September 24, 2016
Juan Cruz, Carl Andre / Melissa Kretschmer, Art Monthly, OCTOBER, 1998, no. 220
Phillipe Dagen, Tout Nouveau, Tout Frais, Le Monde, June 11, 1993
Aliénor Debrocq, La Peinture, Phénix Aux Cendres Ardentes,Le Soir, October 5, 2016
Karlyn De Jongh and Sarah Gold, PERSONAL STRUCTURES: LA BIENNALE DI VENEZIA 2011, exhibition catalogue,
GlobalArtAffairs Publishing, Bonn, Germany, 2011, ISBN: 978-3-941763-08-1
Due, exhibition catalogue, 1000eventi, Milan, February 2005
J. Gluckstern, Minimal Efforts - Artists Andre, Kretschmer explore floors, walls at Rule, Sunday Camera, July 30, 2000
Mark Harris, Material Abuse, exhibition catalogue, Trans Hudson Gallery, 1995
Eleanor Heartney, Painting After Postmodernism, ARTPRESS, December 16, 2016
Eleanor Heartney, Saved by Abstraction?, Art in America, February, 2017
Matthew Kangas, exhibition review, Stark Gallery, New York, Glass, no. 88, fall 2002
Karen Kitchel, exhibition review, New/Art Examiner, September, 1999
Christopher Knight, Light and Space Pieces- Coming from New York?, Los Angeles Times, September 16, 1999
Claudia Kock Marti, Kühles Glas und grauer Beton- Carl Andre und Melissa Kretschmer in der Galerie Tschudi,
Glarner Nachrichten, November 25, 1998
Berlin, 2020, ISBN: 978-3-95476-322-1
Paul Levy, Pap Goes the Easel: Painting After Postmodernism, Belgium - USA, ARTSJOURNAL blog,
September 25, 2016
Claude Lorent, Un Puissant Manifeste Pictural Belgo-Américain, La Libre - Arts Libre, October 7, 2016
Davina Macario, Aprés le Postmodernisme-Peintures Belges et Américains, ‘Eventail, September, 2016
Kyle MacMillan, Exhibit Clearly Compels, The Denver Post, May 11, 2001
Tom McGlynn, After, Ever After, The Brooklyn Rail, November 1, 2016
Tom McGlynn, Painting After Postmodernism: Belgium-USA-Italy, The Brooklyn Rail, May 1, 2018
Adam McGovern, Surface Issues, Cover, May, 1991
Duncan McMillan, Reflected Glory, The Scotsman, August 27, 1998
Friedhelm Mennekes and Guido Schlimbach, Melissa Kretschmer, exhibition catalogue, Kunst-Station,
Sankt Peter Köln, 2003
Joe Miller, Carving Reality, The Boulder Weekly, May 27-June 2, 1999
Robert C. Morgan, Who Takes Glass Seriously?, Glass, no. 100, Fall 2005
Michael Paglia, To the Max, Westword, June 3-9, 1999, vol. 22, no. 40
Michael Paglia, More or Less: Contemporary Sculptors Follow Distinctive Paths at the Curtis Center and Rule Gallery,
Westword, August 31, 2000
Marco Pierini, Governare il CasoI, exhibition catalogue, Magonza, Pinacoteca Comunale di Città di Castello, 2015,
ISBN: 978-88-98756-27-8
Sugar Rautbord, Painting After Postmodernism, Blockbuster in Brussles, The Huffington Post, October 26, 2016
Vivien Raynor, Unsettling Social Commentary with Materials as “Victims”, The New York Times, Sunday, June 30, 1996
Vivian Raynor, A Gallery’s Farewell to this Side of the River, The New York Times, Sunday, June 30, 1996
Alistair Rider, Carl Andre To Go, BLAU International, winter 2019/2020, no. 1
Sara Roffino, Q&A: Curator Barbara Rose on Melissa Kretschmer and Martin Kline, BLOUINARTINFO International,
May 18, 2016
Sara Roffino, Painting After Postmodernism, Curated by Barbara Rose, BLOUINARTINFO International, September 26, 2016
Barbara Rose, Inside Out: Martin Kline and Melissa Kretschmer, exhibition catalogue, Paul Rodgers / 9W, 2016,
ISBN: 978-0-692-53562-2
Barbara Rose, PAINTING AFTER POSTMODERNISM, exhibition catalogue, Lannoo and Roberto Polo Gallery, 2016,
ISBN: 978-94-01437-64-6
Barbara Rose, Many Strategies for Survival: Barbara Rose on Painting after Postmodernism, The Art Newspaper,
November 3, 2016
Barbara Rose, Barbara Rose, ARTFORUM, September 23, 2016
Barbara Rose and Timothy A. Eaton, Anti Icon, exhibition catalogue, Eaton Fine Art, Inc., 2010
Sue Scott, Through a Glass Darkly, Glass, no. 59, spring 1995
George Stolz, Painting After Postmodernism: A Manifesto Exhibition, ArtReview, January & February, 2017
Adam Szymczyk, Questions and Answers: Carl Andre in Conversation with Melissa Kretschmer, Carl Andre Black Wholes,
Kunsthalle Basel, 2005
Dean Swanson and Martin Friedman, LeWITT X 2, exhibition catalogue, Madison Museum of Contemporary Art, 2006
Alexey Tarkhanov, Painters Strike Back, Kommersant Daily, September 9, 2016
Phyllis Tuchman, Painting After Postmodernism: Belgium - USA, Artforum, January, 2017
Georgio Valentino, Painting is Alive and Well and Living in… Belgium and the USA, Flanders Today, August 10, 2016
Christine Vuegen, Lansbreker Voor Rasechte Schilders, H Art, September 9, 2016
Lilly Wei, Glass, Seriously, catalogue essay, Dorsky Gallery, April, 2005
Lilly Wei, Transparent Façade: From New York to Los Angeles, catalogue essay, Otis Art Institute, July 1999
Karen Wilkin, Painting After Postmodernism, The New Criterion, March 2017
Karen Wilkin, Painting After Postmodernism III, The New Criterion, June 2018